The Bazaar and the Monastery, or Being on Book Tour
The current issue of The Paris Review has a scoop to rival a sit-down with Pynchon: The first in-person interview with Elena Ferrante, in which the notoriously reclusive author explains her anonymity: “This demand for self-promotion diminishes the actual work of art,” she says. “The media simply can’t discuss a work of literature without pointing …
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