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On Michael Chabon

NB: A certain revered and now fallen literary editor, when he was at The New Republic, assigned me to consider Chabon’s entire oeuvre from a less starry-eyed perspective than most. So I did, for a month, to the exclusion of all other paying work, as a 20-something freelancer with zero disposable income. He never replied. […]

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Believers

Falling in love, falling out of love, and finding something greater than both We met cute, real-life edition: Three years older, she was in the exit lane of a failing young marriage, and, being 24, I was struggling to distinguish my rear end from my elbow. I was moderating a talk uptown, and she was

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A Dirty Apron

After World War II, when my grandfather returned to Minsk, the capital of Soviet Belarus, his parents suggested he become an electrician. He refused and became a barber instead. “I wanted to work in a clean smock, not a dirty one,” he said. (Barbers in the Soviet Union wore smocks.)

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Review: The Yiddish Policemen’s Union by Michael Chabon

The reviewer who makes a stink about Michael Chabon’s fiction is a bit like that kid at the birthday party who insists, to the fury of his classmates, on calling out the magician’s ruse, or the high-school crank who keeps yelling that the prom queen throttles kittens for leisure. Nobody wants to know. Book reviewers – not a tribe distinguished by the impulse to gratuitous charity – have mostly fallen over themselves in mouth-agape wonder at Chabon’s talent.

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